Uncollected Texts draws together a number of Carolee Schneemann’s earliest writings — many exceedingly rare and several that are published here for the first time — ranging from letters to the editor, dream journals, and film criticism, to satirical poems, detailed discussions of her art, and pointed feminist critiques. Edited by Branden W. Joseph, the book includes 30 texts by Carolee Schneemannwritten between 1956 and 1981, as well as an introduction by Joseph.
First published in short-run magazines like Caterpillar, Film Culture, The Fox, Manipulations, and Matter; academic journals such as Performing Arts Journal; and mainstream publications including The New York Times and The Village Voice, the writings gathered in this volume shed light on some of Schneemann’s most important artistic achievements. Schneemann writes about her most famous “kinetic theatre” piece, Meat Joy; anti-Vietnam War works such as Snows, Viet-Flakes, and Divisions and Rubble; the multimedia performance Up to and Including Her Limits; and the double-screen film Kitch’s Last Meal. Frequently referring to one another, the assembled writings produce a densely interwoven tapestry of cross-references that provide unique insights into Schneemann’s artistic development while also foregrounding the artist’s uniquely poetic style. Schneemann is an artist based in Upstate New York. For over 60 years, she has worked in painting, photography, performance, film, video, mixed media, and installations to create groundbreaking pieces that focus on gender, politics, and sexuality.
164 pages, 21.6 x 14cm, softcover, Primary Information (New York)
First published in short-run magazines like Caterpillar, Film Culture, The Fox, Manipulations, and Matter; academic journals such as Performing Arts Journal; and mainstream publications including The New York Times and The Village Voice, the writings gathered in this volume shed light on some of Schneemann’s most important artistic achievements. Schneemann writes about her most famous “kinetic theatre” piece, Meat Joy; anti-Vietnam War works such as Snows, Viet-Flakes, and Divisions and Rubble; the multimedia performance Up to and Including Her Limits; and the double-screen film Kitch’s Last Meal. Frequently referring to one another, the assembled writings produce a densely interwoven tapestry of cross-references that provide unique insights into Schneemann’s artistic development while also foregrounding the artist’s uniquely poetic style. Schneemann is an artist based in Upstate New York. For over 60 years, she has worked in painting, photography, performance, film, video, mixed media, and installations to create groundbreaking pieces that focus on gender, politics, and sexuality.
164 pages, 21.6 x 14cm, softcover, Primary Information (New York)