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Review: Sam Contis - Deep Springs (MACK)
The physical form of the book is inherently conducive to photographic series that have a distinct beginning, middle and end, and as a result, it s...
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Review: Alec Soth - Sleeping by the Mississippi (MACK)
Thirteen years since Steidl first published the original, Alec Soth’s Sleeping by the Mississippi has been reissued, in almost identical form to t...
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Review: Tim Carpenter - Local Objects (The Ice Plant)
Local Objects (The Ice Plant, Los Angeles), the newest book by American photographer and publisher Tim Carpenter, is a celebration of the banal. F...
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Conversation: Roger Willems, Roma Publications
If there’s an idea that resonates throughout my conversation with Roger Willems – graphic designer, publisher and founder of the quietly esteemed ...
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Review: Stephen Gill – Pigeons (Archive of Modern Conflict) & Marten Lange – Citizen (Etudes)
Pigeons have followed us into our cities. They mingle among footfalls in the shadows of hundred-story buildings, and huddle in the forlorn but som...
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Conversation: Felicia Atkinson and Bartolome Sanson, Shelter Press
The following is an edited version of a conversation that took place between Félicia Atkinson and Bartolomé Sanson on August 6 as part of the Peri...
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Essay: Intimacy, Distance and the Poetics of the Series: The Work of Erik van der Weijde
With the long-awaited release of the retrospective publication Erik van der Weijde: This Is Not My Book (Spector Books, Leipzig), we reflect on th...
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Conversation: Eliza Hutchinson, Dan Rule and Paul Mylecharane
The following is an excerpt from a conversation that took place during the fourth installment of Perimeter Talks, on July 23, 2017, at Perimeter B...
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Review: Seiichi Furuya – Why Dresden (Spector Books)
The photographs that populate Japanese photographer Seiichi Furuya’s new book Why Dresden (published by Spector Books, Leipzig) are quietly radian...
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Essay: Masahisa Fukase - Ravens (MACK)
Perhaps only a man subsumed by despair could have imagined beginning such a book as this, but certainly only a great artist could have made an obs...
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